Alice in Wonderland: Painting

Finally, it’s time for painting. I don’t have much to say about my process. I keep things fairly simple. No special tricks or magic tools, just a bunch of familiar steps built over years of painting practice. 

Most of my paint is Windsor and Newton Professional Acrylic. I do have a couple of tubes of  Galleria (Windsor and Newton’s student range) as well as some Atelier tubes, but for the way I work, the Windsor and Newton Professional range feel the best.

For brushes I use a large, square to wash in the background, but the rest of the painting is done alternating between three differently sized round brushes. As for the actual technique, I can best describe it as layering on thin washes of colour and softly (but quickly) blending lights into darks until I get the desired gradient.

In future, I would love to video the whole process, but I don’t really have the right setup for it. For now, I can offer a photographic journey.

Next up: The Final Painting

Alice In Wonderland: Painting Preparation

With the sketch done, it’s time to prepare the canvas for painting. Word of wisdom, buy the canvas before deciding on what size to make your sketch. I, of course, did not work with this sort of wisdom and alas, when I went canvas buying, could not get the exact dimensions that I needed. The best canvas I could find was a little wider than the sketch, but not quite as tall.


With some tracing paper, a pair of scissors and ample floor space, I got to work making adjustments to my composition. Satisfied with the new positions, it was time to transfer. Another feat accomplished thanks to tracing paper. I make sure to put only the main lines down. They are fairly light on the canvas, and serve as a guide for the initial layers of colour.







Speaking of colour, I need to make some decisions on my palette choice. I paint out a few quick colour studies to get a feel for the atmosphere. For me, the yellow one best brings out the kind of vibe I’m aiming for.


Lastly, I prepare a reference board.


And now it’s time to paint.

Alice in Wonderland: The Sketch

After hashing out the idea for my Alice illustration in a few rough doodles, I jump right into the final sketch. This sketch is something of an exploratory process. I’ve got the basic idea of how I want the image to look, but I haven’t worked out the finer details yet. There is a lot of back and forth with erasing and drawing and erasing again, particularly in areas like the hands where getting the pose just right can be tricky

The sketch is A3 in size, done on an A2 sheet of Canson Artists Series Drawing Paper, 220GSM. I used a 6B graphite pencil for the entire sketch. I find I can get both really light and really dark with 6B pencils and don’t have any need to switch between pencils. The final trusty tool is the kneaded eraser.

Here are some shots of the process with the final illustration at the end.







Next up: Transferring the sketch to canvas and getting ready for painting!

Return

Dust lay thick on the furniture. Spots of sun leaked through the worn curtains. Somewhere, a rodent skittered away on clawed feet. Kayla stood in the middle of the living room and sighed. She wasn’t sure why she had come. She had given so many years to this place, to the waiting. It hadn’t given back, yet she couldn’t help but feel guilty for having abandoned it.
Kayla stepped around the couch and into the kitchen. Her breath caught in her throat as her hand grabbed toward the nearest wall. She swayed on the spot, fighting against what her eyes saw but her brain refused to believe. Standing beside the antique stove was her sister. Her twin sister. Gone was the unsure teenager who Kayla remembered. In her place stood a confident woman with beaded dreadlocks gathered atop her head and a hand resting easy on a solid fighting staff. The strangeness was still there. That haunting way she tilted her head as if listening to something a million miles away. The way her eyes looked glossed over yet swam with swirling clouds. And the voice, as if speaking from another place:
“Kayla. I have been waiting for you.”
Kayla didn’t know if she should laugh or cry or scream.
“Waiting for me? You’ve been waiting for me?” She shook her head. “I waited for you. For six years, Ruta, I waited.”
Ruta closed her eyes and lifted her chin, catching a breeze that wasn’t there. No, that wasn’t here. How easy it was to watch her sister drift between two worlds and feel that anger rise again, anger at not being given the same gifts as her twin.
Anger at being normal.
Kayla thought she had moved past all of that, but this shock and storm of emotions thrust her back into childhood. She knew how hard it had been on Ruta -she had watched her sister struggle with even the most mundane of tasks- and still Kayla had wanted to be the one that was different.
Ruta came back to the room. Her eyes focused on Kayla. Ruta didn’t look like she struggled with things anymore. Ruta didn’t look like someone who saw her gifts as a disability anymore.
“Why did you stop waiting?”
It wasn’t an accusation; just curiosity. Kayla let her body slide down the wall. Her eyes stared at nothing.
“I lost hope. I started to believe mom was right. You had to be dead.”
“I was dead. I will be dead again. We are all trapped in the cycle of life and death. Living is just unbecoming and reconstructing. Death and rebirth. You die too. We all do.”
Kayla looked long and hard at her twin. Ruta was right. Kayla could not find even a spark of the teenage rebel she had once been: a young girl willing to take any risk just to be different, to feel different. That girl had died.
Kayla could feel herself dying again. A cycle of unbecoming and becoming again.

Behind the Scenes

I’m just in with a quick update on the things I’ve been busy with, primarily in the vein of “how not to do things!”

I am excitably working toward a tutorial series on concrete sculpture, but to do that, I first need to remember how to do it properly.  Aha! Also, I need to work out the intricacies of recording process. I’m having some success on that front, but also plently of failures. I’m learning how to edit video. Next on the list will be audio.

In the meantime, I am getting plenty of “What not to do” footage and it will totally add to the  completeness of the series so we can pretend I did it on purpose. 😉

A quick, visual journey of my activities:

 

Let us begin with a snapshot from the art of plaster moulds:

 

 

Hark! A tub of curing concrete scuplts! Note all the bugs and leaves that have fallen in. Also the strange surface floaty bits that I have, without any scientific backing whatsoever, decided must be related to the petroleum jelly used as a release agent. I am probably wrong.

cof

 

This, a small concrete sculpture that broke on demoulding because I got the cement to aggregate ratio wrong.  Ah, relearning you old fiend!

 

cof

 

And this, a giant pile of clay scraped from the depths of this one piece mould that really would work better as a two piece mould, but here we are!

 

cof

 

And Finally, a lovely demonstration of myself working on the part of the sculpture that’s facing AWAY from the camera. Also see: Wobble because I’m hitting the charging cable.

 

Another MerMay! Another Video!

 

Here is MerMay number 6! I went with a barnacle and seaweed look for this Mermaid. I rather like the barnacles and think I will explore them further throughout Mermay.

Video wise I have mostly removed the wobble. Except for that time I hit my phone with my shoulder… 😛 There is a small bit of sketch lost on the top of the screen which I do need to address, but otherwise I am pretty happy with my “making videos for YouTube” progress.

I hope you enjoy and Let me know what you think! 🙂

 

 

 

Hogwarts Portrait WIP Update

 

Do you know what makes me happy? Painting! Painting makes me happy! All that smooshy wooshy messy turpentine smelly gloriousness that is Painting Makes. Me. Happy.

I should totally do more of it. 😛

Here are some progress shots from my Hogwarts Alumni Portrait. Still got a fair bit to go on it, and I’ve made some ridiculous errors (see weird blue section at bottom of robe) but I am super duper happy with the progress thus far.