Time lapse: Thell getting some Colour!

Do you want to know what live streaming is good for? That’s right, content! And here is some of that content, conveniently smooshed together and sped up for your viewing pleasure. 🙂


Won’t be long now and Thell the Fairy will have all her illustrations done and ready! Annnndd…. then I just need to edit her story all over again. 😉


Music Credit:

An Island Newly Awoken by MusicLFilesLink: https://filmmusic.io/song/6287-an-island-newly-awokenLicense: http://creativecommons.org/licenses/by/4.0/

Alice in Wonderland: The Sketch

After hashing out the idea for my Alice illustration in a few rough doodles, I jump right into the final sketch. This sketch is something of an exploratory process. I’ve got the basic idea of how I want the image to look, but I haven’t worked out the finer details yet. There is a lot of back and forth with erasing and drawing and erasing again, particularly in areas like the hands where getting the pose just right can be tricky

The sketch is A3 in size, done on an A2 sheet of Canson Artists Series Drawing Paper, 220GSM. I used a 6B graphite pencil for the entire sketch. I find I can get both really light and really dark with 6B pencils and don’t have any need to switch between pencils. The final trusty tool is the kneaded eraser.

Here are some shots of the process with the final illustration at the end.







Next up: Transferring the sketch to canvas and getting ready for painting!

Alice in Wonderland: Initial Sketches

When I started my Alice in Wonderland painting, I had three goals in mind. I wanted it to be vibrant. I wanted it to be busy, but mostly, I wanted it to be mine. I didn’t want my painting to be another iteration of Disney’s Alice (a glorious Alice at that) and in order to steer clear of those prominent influences, I had a few choices to make:
 
 
First, I read the book. Surprisingly this was something I had never actually done before and as a writer, well… guys, this story has no beginning, middle, nor end. It is a psychedelic stream of consciousness told through a series of puns (many of which I likely missed due to time period differences and whatnot.)
 
 
But as an artist? It’s a candy-bowl full of visual delights!
 
 
The first thing I decided to do was focus on the animals. The book has A LOT of animals. If an animal exists, Alice probably had a chat with it. I considered the human characters, but ultimately decided that I wasn’t up for the challenge of trying to better Disney on those. It is close to impossible for me to think about the Queen of Hearts and NOT see a tiny lady with a giant head. Animals would also much better fit my desire for something bright and lighthearted.
 
 
I knew I wanted to have Alice in the middle with rose bushes and animals around her.
 
 
My first thumbnail had her looking timid and scared, but the Alice in the books is never frightened.
 
 
 
My second attempt is better, but her expression still isn’t right. She’s not scared anymore. She looks like she’s in awe of Wonderland. Which, once again, she isn’t’. Mostly Alice waltzes around Wonderland trading snarky comments with everyone she meets. I did like the positioning of this thumbnail however and used it to further plot everything else.
 
 
 
 
 
I tried a couple of poses with Alice before coming to the one I liked. At first, she still has too much of the awe/scared thing going.
 
 
 
 
Finally I clue in to the fact that I need her cheeky. Sassy. Shes confident and strong and none of my previous attempts were carrying that message at all. Behold, the final Alice:
 
 
 
 
 
I did some quick sketches to figure out my version of the Cheshire cat and some studies of a few other bits and pieces, but that was pretty much it. My preparation for Alice was a lot of thinking and three pages of scribbling.
 
 
 
 
Next up: The Complete Sketch