I’m just in with a quick update on the things I’ve been busy with, primarily in the vein of “how not to do things!”
I am excitably working toward a tutorial series on concrete sculpture, but to do that, I first need to remember how to do it properly. Aha! Also, I need to work out the intricacies of recording process. I’m having some success on that front, but also plently of failures. I’m learning how to edit video. Next on the list will be audio.
In the meantime, I am getting plenty of “What not to do” footage and it will totally add to the completeness of the series so we can pretend I did it on purpose. 😉
A quick, visual journey of my activities:
Let us begin with a snapshot from the art of plaster moulds:
Hark! A tub of curing concrete scuplts! Note all the bugs and leaves that have fallen in. Also the strange surface floaty bits that I have, without any scientific backing whatsoever, decided must be related to the petroleum jelly used as a release agent. I am probably wrong.
This, a small concrete sculpture that broke on demoulding because I got the cement to aggregate ratio wrong. Ah, relearning you old fiend!
And this, a giant pile of clay scraped from the depths of this one piece mould that really would work better as a two piece mould, but here we are!
And Finally, a lovely demonstration of myself working on the part of the sculpture that’s facing AWAY from the camera. Also see: Wobble because I’m hitting the charging cable.
This week I found myself diving head first back into Magpie studies. See, I was busy with the Magpie/ Master copy mashup homework for Magic Box and I realised that I really don’t have a solid understanding of Magpie anatomy.
And I know… I know, Chris was all, this is a painting course, don’t get too hung up on the drawing… but I’m going to get hung up on the drawing. I thought I wasn’t going to, and then I had a solid heart to heart with myself about the issue and decided, yes, yes I shall get hung up on the drawing. I have two super duper points on the matter too.
Point Number One: There is no rush. I have no deadlines. As much as I have this horrible voice in my head that likes to yell about how I have no time and RAH RAH RAH… I do. I can take my time with this. It’s okay.
Point Number Two: Habits. I want to build solid painting habits. Habits where I start the painting right, where I put all the effort in that I need to. And solid painting habits involve proper prep. They involve proper understanding of the things you’re painting. Winding back and getting a strong foundation for this painting is a GOOD THING.
So what is a girl to do when she’s struggling with her painting subject? MORE STUDIES! Which I did, but also SCULPTURE!
This is something that I’ve picked up from reading James Gurneys’ Imaginative Realism. Struggling with the pose of the character and can’t find a solid reference? MAKE ONE!
So I did. With colourful Sculpey because I have a box of random squares of colourful sculpey.