Magpies, Magpies Everywhere!

This week I found myself diving head first back into Magpie studies. See, I was busy with the Magpie/ Master copy mashup homework for Magic Box and I realised that I really don’t have a solid understanding of Magpie anatomy.

And I know… I know, Chris was all, this is a painting course, don’t get too hung up on the drawing… but I’m going to get hung up on the drawing. I thought I wasn’t going to, and then I had a solid heart to heart with myself about the issue and decided, yes, yes I shall get hung up on the drawing. I have two super duper points on the matter too.

Point Number One: There is no rush. I have no deadlines. As much as I have this horrible voice in my head that likes to yell about how I have no time and RAH RAH RAH… I do. I can take my time with this. It’s okay.

Point Number Two: Habits. I want to build solid painting habits. Habits where I start the painting right, where I put all the effort in that I need to. And solid painting habits involve proper prep. They involve proper understanding of the things you’re painting. Winding back and getting a strong foundation for this painting is a GOOD THING.

So what is a girl to do when she’s struggling with her painting subject? MORE STUDIES! Which I did, but also SCULPTURE!

This is something that I’ve picked up from reading James Gurneys’ Imaginative Realism. Struggling with the pose of the character and can’t find a solid reference? MAKE ONE!

So I did. With colourful Sculpey because I have a box of random squares of colourful sculpey.

Come on Magpie Painting! Lets Do this!

 

cof
cof
cof
cof

Colour Comps and Lasso Tools

This week I have been busy with the first bit of homework for the Magic Box course over at The Oatley Academy. Its a self guided course in all things digital painting. I’ve been meaning to do it for a while now and have finally had the chance to dive in.  My brain is fried and I’m only on module 1!

But it has been awesome. It’s helping me with figuring out how to use reference effectively, how to plan a painting and specifically, how to create colour comps with a soft gradient.  Random side note, in all three years of Fine Arts studies, not one lecturer actually broke down how to PLAN a painting. Isn’t that crazy? How did I go through three years of Art Study and never do colour comps? HOW?!

Mind.

Boggling.

Alas.

 

I’m begining to feel way more comfortable with the Gradient and Lasso tools than I did at the start of this week and I’m really starting to enjoy the effects I can create with them. Here are the results of my learning:

 

cof
cof

 

Next up, Brush techniques!